by Randy Lander

NEW X-MEN #121
"Silence: Psychic Rescue in Progress"

Highly Recommended (9/10)

New X-Men #121

Marvel Comics
Writer: Grant Morrison
Artist: Frank Quitely
Colors: Hi-Fi Design
Letters: Richard Starkings
Editor: Mark Powers

Price: $2.25 US/$3.50 CAN

Like the best of the silent issues, New X-Men #121 follows two general guidelines: It has a reason for the silence, and it knows when to break the rules a little with pictograms and even a bit of closing dialogue. As a result, it's a very strong story, with the sensibilities of Morrison and Quitely matching up quite nicely with the idea of a surreal exploration into Xavier's trapped mind.

Quitely's artwork is not everyone's cup of tea, but for my money, he's one of the few artists who could have carried this issue off so well. The bizarre design of Xavier's mindscape, a mixture of wicked comedy and disturbing imagery, comes through perfectly, and the infectious madness of Cassandra Nova is quite clear in the traps she has set up around Xavier's mind. I also thought that Quitely captured the serene power of Jean Grey and the sexy and arrogant nature of Emma Frost without needing words at all.

Of course, while this issue is all conveyed through the work of Frank Quitely, it comes from the imaginative mind of Grant Morrison. Dream logic seems perfectly fitting to his work, and while any other writer probably would have staged this as a psychic plane battle between Jean and Cassandra in thought form, this is instead more of a journey than a fight. I was particularly impressed with the revelations about Xavier and Cassandra, which come through clearly in the visuals and have even more impact when Jean says them out loud later on.

As with any silent story, this does slow down the pace of the story considerably. The goal accomplished in this issue is a relatively small one in the overall scale of things. However, the decompression of story allows for a true feeling of detached time in the story, which only helps to make the mindscape feel that much stranger. Morrison and Quitely have made "'Nuff Said" work for them, rather than the other way around.

Since Morrison and his collaborators began on New X-Men, my appreciation for Marvel's venerable mutant team has once again returned. This issue is another fine example of the kind of great super-hero work they have been doing.


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