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ULTIMATE X-MEN #13
"You Always Remember Your First Love Part 1"
Not Recommended (2/10)
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Marvel Comics
Writer: Chuck Austen
Pencils: Essad Ribic
Inks: Livesay
Colors: J.D. Smith
Letters: Sharpefont
Editor: Mark Powers
Price: $2.25 US/$3.50 CAN |
Remember The Authority, where a fill-in story of lesser quality interrupted a quality run written by Mark Millar? Well, Ultimate X-Men just gave me deja vu. The widescreen action of the book is interrupted for a two-parter that focuses entirely on Gambit, a character that I have come to loathe over the years, and it's written by Chuck Austen, whose work on U.S. War Machine was
good but who can't rise above the mediocrity of the character to tell a very
compelling story. On art chores we have Essad Ribic, an interesting choice but
one that doesn't seem wise, given the mark that the Kuberts' style has made on
the book. I'm not sure why Marvel felt it necessary to throw this story into the
mix, unless the inane story of a letter-writing Gambit campaign are true, but
whatever the reason, this is the kind of thing that kills promising books.
Ask any long-time fan what
they dislike about Gambit and you'll get a few different answers. Some don't
like the enigmatic cliche that he embodies, which began with Wolverine and
became an X-Men staple in the mid-90s with Cable, Deadpool and others. Some
don't like the romance with Rogue that turned her character into a hanger-on
rather than an independent character. And still others can't stand that silly,
stupid accent. In fairness, the only problem that the Ultimate version of Gambit
retains from those elements is the accent, but it's pretty bad. Austen scores
points by having Gambit's child companion make fun of it at one point, but that
only helps to point out just how much of a silly throwback his overwritten
"Cajun" accent is. And when every line out of the protagonist's mouth makes a
reader either want to laugh or grit their teeth, that tends to interfere with
enjoyment of the story.
Really, though, despite this
being a Gambit spotlight, his accent is a relatively minor thing. The problem is
that the story itself isn't terribly interesting either. Gambit, a street card
hustler instead of a thief in this iteration, comes upon an orphaned child and
becomes her protector, just in time for the super-powered murderer of her
parents to track her down. It's a Wolverine story dressed up in Gambit clothes,
and I never found it all that interesting when it was done with Wolverine
either. There is a genuine sweetness to the relationship that develops between
Gambit and the young girl, and the exchange where she asks Gambit to use his
"magic" to bring her parents back is heart-breaking, but it's not enough to
overcome my disinterest in the characters or the stock plot.
The choice of artist is a good one for fitting the tone of the story, a more down-to-earth street level tale of relatively normal folks. Unfortunately, the shift in tone doesn't really fit this book, which suddenly goes from pseudo-military wars between mutants into an afterschool special by way of Martin Scorcese. Ribic's artwork also doesn't really give much visual flair to Gambit, and given the fairly impressive job that has been done on the costume redesigns so far, this new character comes off looking quite bland. Again, it fits the relative normal setting of this particular story, but it feels out of place in Ultimate X-Men.
I'll be quite honest and
admit that my dislike of Gambit meant I probably wasn't going to like this story
in the first place. But I'm really disappointed to see that the entirety of the
cast that we've grown to like in this book seem to have gone AWOL for this
story, and it reads like what it is: a fill-in. About the best thing about the
story for me is that, since Millar has also stated a dislike for Gambit, we
probably won't see this character showing up on the team, and I can probably
skip these two issues without missing anything essential to the overall
story.
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