by Randy Lander

HOPELESS SAVAGES #4 (Best of the Week!)

Highly Recommended (10/10)

Hopeless Savages #4

Oni Press
Writer: Jen Van Meter
Artist: Christine Norrie
Flashback Artist: Chynna Clugston-Major
Editor: Jamie S. Rich

Price: $2.95 US

If you were to ask me what my favorite Oni book was, I'd probably name Barry Ween... but Hopeless Savages is giving it a run for its money. The book is hilariously funny, but it also has an emotional center, and the theme of family and being yourself that runs throughout is one that I can definitely get behind. Throw in not one but two incredibly talented artists and you've got what has been, hands-down, one of my favorite mini-series of 2001.

This issue is the finale, complete with the endings for each character that entails, and Van Meter sets up endings for three of the major characters that are funny and also heart-warming. The previous issue ended on a cliffhanger, but it's resolved pretty quickly, with clever use of the flashback sequence early on to show off the combat prowess of the Hopeless-Savage family. As always, the flashbacks give us a chance to see the younger kids interacting with their parenting, and we get a sense of the very idiosyncratic parenting they got, which is honestly better than a lot of the "by the book" family values parenting kids tend to get in the real world. There are also a lot of laughs in seeing the values of the parents passed on, the best example of which is "The Fascist Bastards!" response to "President Ronnie and the Iron Lady."

What surprised and pleased me was that the second half of the story revolved around the seemingly mundane question of Skank Zero getting to her gig. Music and having a band has been an important part of the story throughout, so it's only fitting that we see how the next generation that Dirk and Nikki gave birth to deal with music and fame. And the shift one character made from antagonist to supporting cast member was surprising but completely in character, and has given me another character to love in this book.

The artwork, as with the writing, is top-notch. Clugston-Major's artwork on the flashback makes good use of her exaggerated and funny style to show us how the kids learned the art of mayhem, as well as giving a nice comedic finale to the flashback sequence. And Norrie's work is equally good. I remain especially impressed with the amount of emotion she can convey in faces and body language, but her action sequences, whether it's a fight or a rushed drive, are nothing to sneeze at either.

In the end, there are a lot of big and small payoffs to those who have been reading the entire series, along with an ending that finishes off this tale but hints at more to come. If you missed out on Hopeless Savages, I foresee a trade paperback purchase in your future. Trust me... you'll thank me for it.


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