by Randy Lander

NIGHTCRAWLER #1
"Passion Play Part One: Rising Dark"

Neutral (3/10)

Nightcrawler #1

Marvel Comics
Writer: Chris Kipiniak
Pencils: Matthew Smith
Inks: Mark Morales
Colors: Hi-Fi Design
Letters: Jon Babcock
Editors: Pete Franco

Price: $2.50 US/$3.75 CAN

After a brief glimmer of hope from Iceman #1, the Icons mini-series returns to the familiar territory of completely unnecessary. I still have the Nightcrawler mini-series from the 1980s, which was not terribly necessary either but was at least a fun ride that fit the character's personality. This story tries to fit the light-hearted character into a heavy-handed story about human slavery, and it works about as well as you'd expect. It doesn't help that Smith's artwork has never been to my taste, or that Hi-Fi's colors are a bit garish when working with his more dark and muted style. Basically, none of the pieces of this creative team really seem to match, and what we're left with is another Icons mini-series that wastes the potential of its main character.

For the longest time, there have been a few defining attributes to Nightcrawler: his religion, his appearance and powers and his history as a German circus acrobat. Kipiniak makes use of the religious aspect of the character, certainly one of the most unique aspects, but he doesn't really do enough with the rest. One of the long-standing rules of storytelling is that if just about any other character could be substituted for the protagonist, you've got a bad story. Given the coincidental introduction to the plot that Nightcrawler gets, I can easily see this story belonging to any other super-hero. Kipiniak attempts to tailor the slavery angle to Nightcrawler by having him talk about it with the priest he has befriended, but it doesn't really make the premise fit him any better.

The plot is nothing all that intriguing in the first place, quite honestly. It might work in an episode of Law & Order, which has a tendency to be a bit preachy, but in a world that has super-heroes and super-villains, it doesn't really fit. The super-hero genre does not tend to fit with real world problems very well, and though some writers can really make it work, Kipiniak doesn't seem to be one of them. Kipiniak belabors the point, taking several sequences to show us what is plainly obvious, that human slavery is wrong and that the people behind it are bad guys. And we follow Nightcrawler as he acts like a detective, tracking down leads, something that really isn't in his mindset or abilities either. Which again gets back to my main problem, that this story doesn't really seem tailored to Nightcrawler at all.

On the artwork front, the book is also a bit uneven. Matt Smith has a style that reminds me of Mike Mignola, and as I'm not a fan of pure Mignola, someone who is following his style doesn't really win many points from me. I will say that Smith's work here is some of his strongest, probably helped out considerably by Morales's inks, but given that his style functions on darkness and shadows, Hi-Fi Design pretty well murders it with garish and bright color.

As with the other Icons series, this seems like something that only the most devoted fans of the character will like. It's not a terrible story, but it is, in all ways, completely average. I understand the business reasons for having the Icons mini-series, so that any fan of a character can eventually have a trade paperback to pick up devoted specifically to their favorite, but it would seem that good creative sense would have been to make those stories more attuned to what makes these characters favorites in the first place.


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