by Randy Lander

DON'T CALL ME STUPID!

Mildly Recommended (5/10)

Don't Call Me Stupid

Fantagraphics Books
Writer/Artist: Steven Weissman
Editor: Gary Groth

Price: $12.95 US/$19.45 CAN

One thing I didn't expect from Fantagraphics was an all-ages book, but that's really sort of what this is. It's a little like Jay Stephens's Jetcat Clubhouse, only considerably stranger and less linear. It's not really my cup of tea, to be honest, as I was expecting something quirky and funny and I got the former but not much of the latter. The artwork on the book is also somewhat strange, colored in a pink and gray palette and drawn in a style that distorts the characters for effect. I can respect the talent behind the book, but rather than laughing at the contents or reading it and thinking it was clever or intriguing, I mostly kept turning the pages wondering if it could get any weirder. Too it's credit, with every passing page, it did.

Don't Call Me Stupid! is a collection of comic strips by Weissman, stories that center around a group of unusual and disturbed children. These children have some of the same problems that many children do, including bullies and chicken pox and the boredom that comes from having tons of energy but not enough to do. However, they are also quite unusual children in that they each have some strange quirk. L'il Bloody, arguably the lead, is a vampire; Pull-Apart Boy comes apart at the slightest touch, making him something of a leprous Frankenstein's monster; Dead Boy is a zombie who doesn't say much; Spence has a pair of working X-Ray glasses; and so on and so on. The combination of monster archetypes with childhood trauma makes for a very, very odd tone to the book.

Although I'm not sure if its psychologically the kind of thing kids would get, I was struck by how much of the imagery was strange but oddly safe. There's no excessive blood, swearing, violence, nudity or any of the other things I've come to attribute to the world of small-press cartoonists. The violence inflicted is on objects, or in the form of psychological torment by "Sweet" Chubby Cheeks, and quite honestly most kids have probably dealt with worse in school every day.

While I wasn't really all that entertained by a lot of the stories, I will admit that some of the thought processes the kids had and some of their actions as a result were quite fun. Their decision to blame a ghost for their acts of vandalism, and subsequent failure to keep up the hoax, was cute, for example. And as someone who remembers tossing all of his clothes out of a second-floor bedroom window for no memorable reason when I was young, I found the thought processes and actions of the kids to be pretty true to life.

In the end, your enjoyment of this book will hinge on how much nostalgia you have for childhood and how much of a tolerance you have for strangeness. I thought I had a healthy appetite for both, but Weissman's piece didn't really connect with me. However, I can't bring myself to blame the book for that, because on an intellectual level, I was actually impressed by the storytelling and the interesting vision that Weissman had of this odd little world.


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