by Randy Lander

ICEMAN #1
"The Iceman Cometh"

Recommended (8/10)

Iceman #1

Marvel Comics
Writers: Dan Abnett & Andy Lanning
Art: Karl Kerschl
Colors: Color Dojo
Letters: Chris Eliopoulos
Editors: Mike Marts & Mike Raicht

Price: $2.50 US/$3.75 CAN

If you were making a list of my favorite X-Men, Iceman wouldn't even be on it, much less near the top, and I certainly didn't expect much of this mini-series, following in the footsteps of Cyclops and Rogue. Perhaps it's those lowered expectations that helped, but at any rate, this is a surprisingly solid piece of work. Abnett and Lanning use an old girlfriend of Iceman to spin him off into a believable solo plotline, introducing a surprising new potential supporting character and some creepy villains at the same time. Accompanied by the anime-influenced and quite beautiful artwork of Karl Kerschl, they've served up the first of the Icons mini-series that I might actually consider buying.

Unlike Cyclops, which has seemed mostly like an X-Men story inexplicably missing other X-Men, and Rogue, which is pretty much a flashback to a time that never could have existed, Iceman is a personal story that adds considerably to the character. The notion of an unknown child isn't an entirely unbelievable one, and the tension in the Opal-Iceman relationship makes for some nice characterization and complications. In addition, having the company located in Hong Kong makes perfect sense given Opal's background and cuts Bobby off convincingly from the X-Men without feeling overly contrived.

One of the things that few have pulled off well in comics is just how cool (no pun intended) Iceman's visuals can actually be. The cover is an indication of the visual potential of a man who can turn into and create ice, and Kerschl does some terrific interior work with those visuals. The fight in the airport terminal is a stunning use of his ice powers, and the closing sequence of the issue an example of the explosive potential of his powers as well.

The fight scenes throughout are pretty impressive, actually. Kerschl has done strange, creepy designs for the "Augmen" who seem like genetically bred mutant hunter children, and the confrontation between them and Bobby at the end is a good fight sequence. The opening scenes, which show off Iceman cruising around the airport on ice sleds, gives him a sense of slick speed that has lacked in most of his prior appearances, and he's presented as something of a wise-cracking professional rather than the also-ran he has usually been.

Beyond impressive visuals and the rather nifty idea of a surprise baby, however, the book has me interested in the plot. It's a given that any large corporation we've never heard of is probably going to be nefarious, so rather than drag it out for several issues, Abnett and Lanning unveil the sinister truth quickly. However, they do leave us in the dark as to what the corporation actually wants, how that compares with what they say they wanted, and how it ties into Iceman, not to mention just what Opal knows and is going along with. There's a lot left to explore in this mini-series, and I think I'll be along for the ride.


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