by Randy Lander

PETER PARKER: SPIDER-MAN #35
(Best of the Week!)

"Heroes Don't Cry"

Highly Recommended (10/10)

Peter Parker: Spider-Man #35

Marvel Comics
Writer: Paul Jenkins
Pencils: Mark Buckingham
Inks: Wayne Faucher
Colors: Transparency Digital
Letters: Comicraft
Editor: Axel Alonso

Price: $2.25 US/$3.50 CAN

This is one of those stories everyone should read. It's the story of a young boy in difficult circumstances, and how the concept of Spider-Man helped him. It's not a super-hero story by any stretch of the imagination, but rather a story about the inspiration that super-heroes can offer even those of us in the real world. It speaks to why I still read super-hero comics, and why I started, and I'd be surprised if it doesn't resonate with a few other readers as well. This is a classic Spider-Man tale that deserves to be put up there with Stern's "The Kid Who Collected Spider-Man" and it's one of the most moving comics on the stands this week.

The story focuses in on Lafronce, a young boy whose mother is not exactly stellar parent material, but who has a surprising amount of optimism in his life due to the relationship he has with his aunt, her boyfriend and... Spider-Man. Well, sort of. It's a book about dreams and how the barrier between fantasy life and real life can be a little thin for kids, and it's a story of sadness and hope as well as growing up.

Buckingham, Faucher and Jenkins do a terrific job of portraying Lafronce's difficult circumstances without overstating them. Rather than simply going with the overdone notion of child abuse, they look at the question of neglect, and the rules that sometimes keep the right thing from being done, the rules that let children slip through the cracks unless their circumstances are truly dire. I also quite enjoyed seeing Lafronce's worldview informing the world that the readers see. Spider-Man talks about his "Spidery Sense getting all jangly" which is obviously Lafronce interpreting what he knows through his own vocabulary. And his fantasy vision of Spider-Man is built as much on the model of his "uncle" Ray as it is on the super-hero he loves.

It's this interpretation of Spider-Man that makes this story so special. While Jenkins has shown in the past that he truly gets Peter Parker, this issue really doesn't have much to do with Peter Parker. Instead, it's more about Spider-Man, and not the character, but the concept, and what he can mean to those who need him. He may not have rescued Lafronce from a burning building, but his very existence helped to keep Lafronce from turning into a gang-banger or a bitter and withdrawn kid.

The last page is a beauty, and it nicely wraps up everything the story is about. It goes to show that some heroes, such as Superman and Spider-Man, have become larger than simply entertainment, and have become important icons, maybe even role models, for kids. It also shows why heroes like that are important, all the while telling a story that is enjoyable for adults to read as well.


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