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GREEN ARROW #8
"Quiver Chapter Eight: When Ollie Met Ollie..."
Recommended (8/10)
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DC Comics
Writer: Kevin Smith
Pencils: Phil Hester
Inks: Ande Parks
Colors: Guy Major
Letters: Sean Konot
Editor: Bob Schreck
Price: $2.50 US/$4.25 CAN |
This is it, the big revelation about how Ollie's resurrection and half-memories came to be, and though it leaves a couple of big questions looming, it's generally a pretty solid affair. There's also the usual thing I've come to expect from Smith's time on this title, exploration of other DC characters from his offbeat view, this time out mostly a look at Boston Brand as well as one character I really didn't expect to see at all, let alone in Green Arrow.
There's a big surprise in this issue, and while I'm unhappy with it in one
respect, I do have to admire Smith for his ability to surprise me.
In a bizarre example of self-examination,
Ollie comes face to face with himself this issue and has a nice, long talk. It
was a lot of fun to see the "modern" incarnation of Ollie, after all the trials
and tribulations he suffered during Grell's run and Dixon's run, talking to the
more innocent but hot-headed version of the character. The two men are the same
person in some ways, but because of the many years between them, they are quite
different as well, and I thought Smith did a nice job of capturing two men who
are basically the same but for experience and viewpoint. He also has some good
commentary on the basic nature of Hal Jordan and Oliver Queen.
Meanwhile, back in the physical world, we
see the ramifications of Queen's seeming death at the hands of the Demon a
couple issues back. That includes Canary's rage and grief as well as what
happened when the Demon kept fighting Batman, Canary and Roy. It also includes
some hilarious interplay with Boston Brand, and I loved Guy Major's use of
coloring effects to show Brand possessing someone.
Hester and Parks are great as always, doing
a particularly impressive job on the shift in the Demon's demeanor once he is
possessed. That includes a change in body language and appearance as much as his
actual change in dialogue, and they did a nice job of visually hinting at the
change. In addition, their view of Ollie's Heaven as a green and mountainous
area filled with blue sky makes a great setting for the discussion, and the
one-panel glimpses of Ollie's past gives a good sense of what he's talking about
regarding his difficult past.
This issue finally drops the bomb I've been
expecting since about, oh, issue two, and it takes one of the supporting
characters in a direction I was hoping it wouldn't. Smith has telegraphed this
surprise pretty badly, and I thought it was a misuse of an interesting
supporting character. However, combined with this non-surprise is a huge
surprise using an obscure DC character, and I'm now dying to see the explanation
coming next issue.
Email Randy Lander comments about this review. |