Dini is showing his animation background in Mutant, Texas, as the book really reads like the kind of thing that would be an excellent animated special. In fact, it sort of reminds me of Disney movies, or at least some of the good ones, with its talking animal characters, fairly clear good vs. evil morality and colorful regional background. Along with J. Bone, Dini has created a fictional corner of Texas that embodies the best of the culture, along with a character and cast that is likable whether you're a cowboy-phile or not. (For those of you wondering, yes, I just made up the word cowboy-phile... think it'll catch on?)
One of the classic scenes in a super-hero comic is when the hero or heroine discovers power for the first time. Dini and Bone serve up a fun rendition of this classic scene in this issue, which conveys the fun that Ida has with her new powers, along with a dash of comedy as she discovers the limitations of her powers. I also like that Dini makes the powers very clear in his dialogue, and that J. Bone follows that up with the clean effects of the power, all while keeping them flashy and cool.
The plot, as is traditional for the types of stories that Dini is emulating here, is fairly simple but still engaging. The twists, such as they are, are pretty clear to those who are reading carefully, but knowing the true identity of the villain or the traitor in the townsfolks' midst doesn't rob the story of any of its power. Instead, Ida seems more heroic, more innocent alongside foes who are so clearly and willingly corrupt. The characterization isn't remarkably deep, but it's strong enough to give readers a feel for each character.
Bone seems to be having as much fun on this book as Dini is, with terrific designs for the characters that give them a bright and cheery look. I'm reminded of Walt Kelly's work in the design for the anthropomorphic animals, and Ida Red is the ideal modern-day Disney heroine, strong and independent but still very feminine and with an attractive innocent quality.
Mutant, Texas is, to use the Texas vernacular, a whole mess of fun. A cast of wacky characters and a classic good vs. evil plot combine with an affectionate take on the cliches of the American southwest to create something very entertaining and engaging.
