by Randy Lander

CITIZEN V AND THE V-BATTALION: THE EVERLASTING #2
"The Good of the Many"

Neutral (4/10)

Citizen V and the V-Battalion: The Everlasting #2

Marvel Comics
Writer: Fabian Nicieza
Pencils: Lewis LaRosa
Inks: Jim Royal, Scott Koblish & Udon Studios
Colors: Udon Studios
Letters: Comicraft
Editor: Tom Brevoort

Price: $2.99 US/$4.75 CAN

One of my favorite characters in the Thunderbolts has been Citizen V, but the character long ago went off in directions I didn't find very interesting, and that's part of the reason the V-Battalion mini-series don't appeal to me as much as the Thunderbolts. Another reason is that the plots are highly complicated, the characters indistinguishable and the artwork substandard. There are interesting elements to this story, including the examination of truly ruthless protagonists and a worldwide operating scope that not even the Avengers or JLA can boast, but I'm having a hard time grasping the motivations of many of the characters and an even harder time caring about the outcome, when I'm really not sure what the heroes are supposed to be fighting against.

Perhaps the most interesting aspect of this book, and sadly the one least explored, is the notion that the V-Battalion has been around for a long time, fighting the war against evil in ways that most heroes wouldn't even consider. Bribing telepaths to scan for enemies, building enormous warships and showing a willingness (even an eagerness) to kill are all tactics that are unusual for a super-hero team, and I like that Nicieza has presented us instead with the super-hero team by way of a special operations military unit.

Unfortunately, while the complexities of espionage and spec ops warfare would make for an interesting blend with super-heroes, there doesn't seem to be enough room to flesh those complexities out in these mini-series. The mysterious goals of Aqhat are just as mysterious to the readers as they are to the V-Battalion, and as a result it's hard to really care whether they succeed or not. The obvious implications of big destruction and death are false threats given the shared universe setting, as all the readers know that the V-Battalion isn't actually going to kill off all of China to stop the Collective Man, and so there's a lack of tension.

More to the point, though, is that I just can't follow a lot of the book, and that has a lot to do with a hefty cast of characters and not enough screen time for any of them. Even the lead character, Citizen V, is barely developed, as he has been at times Baron Zemo and Dallas Riordan, and so the man behind the mask now really isn't much more than a cipher wearing a familiar costume. It's also hard to care that a particular character is wiped out when she has spent about two panels on screen for her entire existence.

In fairness, I'd probably enjoy this book a whole lot more if the artwork on the cover was more indicative of what we were getting on the inside. Deodato's gray covers are powerful and iconic, but when you flip the book open, you're hit with Larosa's work, which is abstract to the extreme. A strange mix of manga style and the more gritty work like that of Alex Maleev, the artwork lacks a lot of clarity and more to the point, a lot of beauty. It might work for more experimental story material, or for a more grim and street level book, but it is emphatically not suited to this large scale action story.


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