by Randy Lander

CAPTAIN MARVEL #29
"Time Flies Part 3: Future Shares"

Recommended (7/10)

Captain Marvel #29

Marvel Comics
Writer: Peter David
Pencils: Chris Cross
Inks: Anibal Rodriguez
Colors: Chris Sotomayor
Letters: Comicraft
Editor: Tom Brevoort

Price: $2.50 US/$4.00 CAN

Cosmic adventure and light humor sounds like a bit of an odd mix, but Peter David seems to make it work monthly in Captain Marvel. The "Time Flies" arc, while a little heavy on Spider-Man 2099 continuity for my taste, has been an entertaining change of pace for the book, and it continues to develop the three main characters of Marlo and Rick Jones and Captain Marvel. And although the guest art last issue was terrific, I am glad to see Chris Cross again, delivering a fantastic view of all the book's settings, from the future of 2099 to Marlo's comic-book store to the hellish future world in the last few pages. The jokes in this issue are sometimes more painful than funny, and I do worry that one of the subplots may be bordering on repetitive, but in general, this is a solid and unusual super-hero book.

What really drew me to this book, and what keeps me coming back, is the human side of the stories. I love the relationships between Rick, Marlo, Captain Marvel and Lorraine. Despite the high weirdness of their situations (two of them have been dead, one is dead, one is the cloned son of a cosmic hero who died of cancer), they come across as believable people, and their interactions are honest and funny. I particularly enjoy Marlo balancing the "real world" of comics retailing against the unreal world of her husband's super-heroic status, and Rick's constant barrage of jokes in Marvel's head.

The "Time Flies" story has been a chance to take Captain Marvel and Rick Jones into a new setting, or at least, a new setting for them. While I will admit to a certain fondness for the world of 2099, it does seem like we're getting far too much explanation of the setting, such as the Siege Gear and Alchemax, when really their purpose is quite clear from the generic details. However, while this focus on the details of 2099 seemed a little much for me in the last issue as well, I have to hand it to Peter David. I spent most of last issue wondering why Thanatos was so interesting that he got major player status in a Captain Marvel story, and this issue ties him nicely into the ongoing story of the lead characters.

Chris Cross is another thing that initially drew me to the book, and his work continues to impress. David's humor-based style requires a command of facial expressions, and Cross definitely has the right stuff in that department. He's also at home with the strange designs that come with a cosmic book, whether it's the made over look of Starfox, the high-tech skyscrapers of 2099 or the trophy room of the Maestro.

Peter David's sense of humor is of the "take it or leave it" variety, and this issue had more than a few dialogue gags that fell flat on their face. However, while the humor is sometimes intrusive, it is just as often hilariously funny, and I'm inclined to take the good with the bad. The same is true of David's writing style, which often plays off of long-running subplots and characters. While this gives a richer experience, it often pays a price in accessibility or originality, and the idea of Rick Jones's stalker mother is both unclear for those who aren't familiar with her from The Hulk and becoming a little stale as a story point.


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