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BATMAN #600
Highly Recommended (9/10)
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DC Comics
"Bruce Wayne: Fugitive Part 1: The Scene of the Crime"
Writer: Ed Brubaker
Pencils: Scott McDaniel
Inks: Andy Owens
Letters: John Costanza
"The Mystery of the Black Bat"
Writer: Ed Brubaker
Artist: James Tucker
Letters: Eric Shanower
"Joker Tips His Hat"
Writer: Ed Brubaker
Artist: Stefano Gaudiano
Artist/Letters: Eric Shanower
"The Dark, Groovy, Solid, Far-out, Right-on and Completely With-it Knight Returns"
Writer: Patton Oswalt
Artist: Sergio Aragones
Artist/Letters: Eric Shanower
Colors: Gregory Wright & Wildstorm FX
Editor: Bob Schreck
Price: $3.95 US/$6.50 CAN |
While most
writers seem to suffer from crossovers, even the best ones, Ed Brubaker seems to
have gotten a bit of a shot in the arm from the "Bruce Wayne: Murderer?" story,
and the "Bruce Wayne: Fugitive" story benefits from that energy as well. There's
an intensity to the character interaction that I didn't feel in the months
before, and the confrontations between Batman and his allies in this issue carry
a number of surprises and very effective emotional moments. McDaniel's work
isn't quite as accomplished at depicting emotion as I would have liked for the
story, but his strength with action storytelling comes in very handy for the
main story. As for the rest of this double-sized anniversary issue, while I
don't have the fondness for giant anniversary issues that Brubaker talks about
in his text piece, I do have a fondness for the creators who worked on them, and
all of the stories were both excellent tributes and fun stories in their own
right.
Ever since Frank Miller got
his hands on him, Batman has moved from being driven to downright deranged, and
recent Bat creators have exacerbated that personality shift, turning an
obsession into more of a danger to those around him. That all comes to a head
this issue, as minor conflicts of personality that have been running with Robin
and Batgirl finally spill over onto Nightwing, and the whole thing is an
incredibly intense confrontation between the various allies. The result is a lot
more mystery in the question of "Did Bruce Wayne actually kill someone?" as well
as a change of direction for Bruce Wayne: Fugitive right out of the gate. While
I had assumed it would be the police looking for Wayne, it seems that it may
also have Batman's allies looking for him.
In addition, there are many
hints in this issue that the murder of Vesper Fairchild wasn't what it looked
like. Though it may in fact have been a murder, there are disturbing hints that
Batman set it up, that he allowed it to happen to free himself. The clues in
this issue, though they may all be red herrings, will spin those of us who are
trying to figure out the mystery as it goes along in new and intriguing
directions.
While McDaniel's art is not
ideally suited to the emotional subtleties of the confrontation between Batman
and his allies, once the conflict turns physical, he is truly in his element.
The fight ranges through the Batcave, which feels impossibly and impressively
huge, and the sense of violence in the artwork helps to convey the emotional
turmoil that comes with the physical violence. In addition, Batman's more
stand-offish attitude comes across in the way he carries himself, both in the
fight and in the closing segment of the issue.
The rest of the issue is made
up of three stories that purport to be "lost" tales from past eras. In fact,
they're created by Brubaker and a couple of impressive guest artists, aside from
the last one which is by television writer Patton Oswalt and legendary artist
Sergio Aragones. That story, by the way, is hilariously funny and worth the
price of admission all by itself, particularly if you have a fondness for 70s
jokes. The other two stories, a dead-on riff on a Sprang-era story and an
equally impressive 60s-style Batman tale with art by Stefano Gaudiano, are a lot
of fun, whether you enjoy them as a throwback to an older style of story or a
tongue-in-cheek parody of the same.
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