by Randy Lander

POWERS #17

Highly Recommended (10/10)

Powers #17

Image Comics
Writer: Brian Michael Bendis
Artist: Michael Avon Oeming
Colors: Peter Pantazis
Letters: Ken Bruzenak
Copy Editor: KC McCrory

Price: $2.95 US/$4.70 CAN

I don't know what I can say about this comic that I haven't said already, but it seems to bear repeating that it's one of my favorite comics, and that this particular storyline is shaping up to be a favorite. Rather than focusing on the mystery aspect of the murder, Bendis has focused in on the dysfunctional dynamics of the super-group FG-3, and that allows him to play around with a lot of heavy dialogue-based scenes, each of which sheds more light on the case, the characters and the world of Powers. And as always, Mike Avon Oeming and Peter Pantazis turn in knockout artwork.

What I'm starting to really love about this book is how much is lurking beneath the surface. Beneath fairly cool and detached exteriors, Detectives Deena Pilgrim and Christian Walker clearly have a lot of issues. Walker's explosion at the media guy about Retro Girl and the issues surrounding her death was a surprise, and shows an emotional side to him that we rarely see, and the question of whether Deena was at all involved in Royale's death, hinted at in previous stories and brought to the fore this month, is a fascinating story waiting to be told. As with any job, there are personal interactions that happen in the middle of a job, unrelated but helping to up the pressure that people feel.

I've also been quite impressed at how Bendis manages to convey the routine of police-work in a realistic manner while still making it interesting, rather than simply repetitive. A lot of the reason for this is, of course, the dialogue. We've seen plenty of scenes already where Walker, Pilgrim or both visit a deceased's relatives or interrogate a suspect or intimidate a potential suspect or witness, but it's always just slightly different thanks to entertaining dialogue. Whether it's the interaction with the rattled sister of Boogiegirl's personal assistant or the hilariously appropriate intimidation they use on the lawyer who has been lying to them, the back and forth is always entertaining.

One of the other trademarks of this series has been that the break in the case often comes in a surprising and sudden fashion. The reappearance of Boogiegirl was perfect, turning a controlled situation into one that is violent, dangerous and very much out of control. And of course the demonstration of Boogiegirl's powers are incredible, with a feeling of power and awe that is hard to match in most comics, where powers are thrown around on a regular basis.

Fair credit in that department, and indeed for much of the feel of the book, to Mike Oeming and Peter Pantazis. The regular storytelling is always sharp, and able to convey small movements and expressions, but when they really want to impress, they can go full out as well. The double-page spread of an alley spray-painted with "Kaotic Chic" is an incredible mood-setting piece, and the finale, complete with Boogiegirl's power eruption, is powerful and impressive.

As a bonus, this issue includes a look at "Bastard Samurai," a new title co-written and inked by Oeming with writing by Miles Gunter and Kelsy Shannon. The preview here is only a few pages, but the artwork is jaw-dropping gorgeous, the narration smooth and engaging and the story premise very intriguing. I'll definitely be checking this series out.


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