The mystery only deepens in what is actually the second issue of this dark, inventive series. Detailed, haunting artwork and a chilling, supernatural tale make for a riveting story, and the everyday quality of the supporting characters make it easier for the reader to believe in the strange and dangerous city in which they live. Though the plot really doesn't advance all that much here, I'm definitely looking forward to learning and seeing more.
Investigating an unusual theft on behalf of a friend, Dr. Julien Saulniere stumbles into the middle of a horrific murder scene, and he realizes that the case is of a much more dire and dangerous nature than he first suspected. While he seeks out advice and information from another friend in religious circles, someone from Saulniere's past seeks him out. And elsewhere, even though he's no longer in possession of the stolen artifact, its caretaker continues to be of interest and concern to those working toward a dark purpose.
Eric Johnson's artwork -- which reminds me of J. (Exiles) Calafiore's textured style -- is drenched in an appropriate darkness, but that doesn't prevent him from also bringing a rich and shocking level of detail to bear as well. The end result is a palpable and foreboding atmosphere. He manages to capture the historical yet slightly surreal setting with seeming ease, yet there's an grounded look to the characters as well that reinforces a sense of realism. Cox's muted but crisp colors really bring out the haunted feeling that hovers over the story nicely as well.
Nelson's plot is a rather unreal one, but in addition to boasting believable appearances, the script grants the characters a genuine quality as well. Julien's shock at hearing from an old flame serves as a humanizing chink in his armor of intellect and calm, and his rabbi friend, Albert, exhibits a humility that balances his sharp mind and unusual experiences.
Though the creators put a face on the (or an) antagonist and the deadly nature of the case is emphasized, the plot itself doesn't advance all that much. Still, a slower pace, given the quiet and ghostly tone of the story, makes sense. Overall, Nelson and Johnson's odd mix of detective fiction and gothic horror offers a satisfying read.
