This continues to be one of Marvel's strongest titles, and this milestone issue boasts yet another strong, grounded yet exciting script. But Jesus Christ, guys... the tits are a bit much.
This bonus-sized issue boasts two main characters. The first is an action-oriented, super-hero sequence involving a well-choreographed heist and some of the title character's usual snappy banter. It's a fun bit of storytelling, but it's the latter part of the book that's really outstanding yet in keeping with the title's frequent down-to-earth focus. Bendis's dialogue makes it all work, and it's easy to see oneself in Peter and Mary Jane as they share their feelings and discuss their relationship and what's going on in their lives.
A new costumed figure takes to the rooftops of Manhattan, and she's set her sights on some merchandise that's strict off-limits if the extensive security and deception is any indication. She's extremely good at what she does, but what she didn't count on was a certain friendly neighborhood super-hero popping up when he's not wanted. Later, Peter and Mary Jane have another one of their heart-to-hearts, and their honesty and love grows even more. But what Peter doesn't realize is that MJ has been sharing her secrets, and they're about to come to the attention of the wrong people.
The Black Cat's activities are depicted extremely well. Her agility, savvy and luck powers are all quietly unveiled in a silent but tense sequence that really grabs the reader's attention. Bendis may be a master of dialogue, but he also knows when to shut up to achieve the greatest effect. This stands out as the most dynamic portrayal of any incarnation of the Black Cat I've seen. That makes the gratuitous quality of her costume design all the more frustrating. Bagley's art leads me to think the Cat is around the same age as Mary Jane, and that makes her impractical, look-at-my-boobs costume seem even more unseemly. I know that sensuality is an inherent part of the Black Cat's character, but there's sensual and then there's just slutty. What could be a strong revamp of a character is somewhat tarnished by a costume design that seems a bit... obvious in its intentions.
I have another quibble about the visuals on this book, and that's the frequently generic nature of the covers. If it weren't for the huge "50" in the background, this cover could belong to just about any issue of the series.
Fortunately, there's more than enough strength in this script to make for an engaging and thought-provoking read. Bendis really starts to explore Mary Jane's character here as something more than an extension of Peter Parker's life. She has her own stories and her own supporting cast, and the key point is that her love for Peter may not be enough to make for a perfect life. She has family issues and a developing psychological danger that's lurking within.
