I'll be damned... Brian DePalma, director of the classic film The Untouchables, is doing comics. What? This isn't DePalma? Let me see... damn, I was wrong. Turns out it's writer Ande Parks and artist Eduardo Barreto who brought this Depression-era crime story to life. Once again, I find myself entertained by some strong historical fiction, but what really sets this book apart is the abundance of cynicism that dominates the latter part of the book. Once again, Oni Press demonstrates that it is the home of comics diversity and strong storytelling.
Union Station is the heart of transportation in Kansas City, 1933, and on one fateful day, federal agents with the United States Bureau of Investigation must transport a small-time criminal, Frank Nash, into town by train. Thanks to underworld loyalties and corruption in law enforcement, the routine escort turns into a bloody nightmare. It's agent Reed Vetterli's case, and it haunts him. It also haunts reporter Charles Thompson, who witnessed the horrific scene with his son, and he knows something about the incident that sheds some light on how it came to pass. Unfortunately for them, there are those who do not want the truth to come out.
I got to know Barreto's work on such mainstream super-hero books as The New Teen Titans v.2 and Batman, and it's a treat to see his work on a small-press book. HIs style here reminds one of Jose Luis Garcia Lopez's work. He captures the period quite well, and the black-and-white artwork enables him to foster a dark and gritty atmosphere throughout the book. He makes excellent use of darkness in key scenes. He doesn't flinch away from the more gruesome story elements, and that reinforces the overwhelming ugliness of the events at Union Station.
Parks is better known for his inking -- he's penciller Phil (Green Arrow) Hester's regular collaborating inker -- but he demonstrates here that his comic storytelling talents aren't limited to the visual side of the equation. He seems to touch upon The Untouchables here, but instead of bringing the story to a climax with a shootout at a commuting hub, it just begins there. What sets this story apart is the fact that the good guys are the ones participating in dark deeds. This story is about good men sacrificing their principles for various reasons. As a professional journalist, I connected most with the Thompson character. He's the most sympathetic character, but he still crosses an ethical line that doesn't seem so bad at first... until one sees the consequences of his actions (or inaction) at the story's end.
This is a challenging read. The black-and-white artwork and some similar character designs make it a little difficult to distinguish among the players in this drama at first, but the distinctions crystallize as the story progresses. Still, this is the sort of book that merits a second and even third read. There's a complexity and subtlety to the storytelling that's appealing, but it's not easy either.
