|
FATE OF THE BLADE #1
Recommended (8/10)
|
Dreamwave Productions
Writer: Chris Sarracini
Pencils: Job Yamen
Inks: Erik Sander
Colors: Linda Bergkuist
Letters: Dreamer Design
Editor: Matt Moylan
Price: $2.95 US |
Though I've enjoyed some of Dreamwave's Transformers comics, I'm pleased to see that the company is using that success as a launching pad for new ideas. Fate of the Blade is such an idea. Transformers scribe Chris Sarracini shows a greater depth in his writing here, and in the process, introduces us to a shining new artistic talent in comics. Though the title and cover suggest that the creators are headed in a direction that doesn't interest me all that much, this first issue boasts a chilling script that's thoroughly relevant to the world in which we live.
In a not too distant future, the world has changed little. Corrupt men still abuse their power with little consequence, taking what they please, and buying their way to pleasure. In fact, one Hollywood tycoon has just purchased himself a new playmate: a female clone bred to be a perfect beauty, and to love her master no matter what. But science overlooks one key "flaw": the emptiness of the experience of the unknowing clone.
Yamen and Sander's collaboration here is stunning. The artwork reminds one of a cross between the work of Travis (Wildcats) Charest and Arthur (Kissing Chaos) Dela Cruz. There's a realistic quality to the art that's awe-inspiring, but there's a sketchy darkness that puts one in mind of the work of Bill Sienkiewicz. When I looked back at the credits, I was stunned to find this wasn't painted comic artwork, but rather done, it would seem, in the traditional pencils/inks/colors team approach.
While the art is amazing, what really drew me into this comic book was Sarracini's chilling examination of the potential for abuse of the science of genetics. The core scenario here -- sex slaves for sale -- is handled realistically and represents one of the worst case scenarios for society. While the atmosphere and the plot are cleverly disturbing, there's also a spiritual side to the story as well. Mya's ennui, though sad, is also heartening, as it indicates that despite extensive programming, the human spirit yearns for freedom and individuality. In other words, Sarracinni tackles the philosophical nature-versus-nurture debate from an interesting new angle.
This opening chapter, despite the science-fiction (though near fact) elements, is quite down to earth. Save for the genetics, this is pretty much set in the real world, and it makes it easy to get into the story. But the title of the book and the cover image seem to indicate that martial arts and swordplay will soon be a big part of the book as well. I think Sarracini has the makings a stronger, more grounded drama here instead. I'll stick around, though, to see where he takes Mya next.
Email Don MacPherson comments about this review, or discuss it on the Fourth Rail message board.
|
