This issue had the potential for a strong one. Casey sets up a new character who represents the spectacle of American politics quite well, and Derec Aucoin's artwork is something we see far too infrequently in comics today. Unfortunately, some implausible plotting and a surprisingly uncharacteristic performance from the artist make for a subpar issue. I know there's a lot of hype about the new directions and creators scheduled to begin on the Superman books in 2004, but I'm still looking for strong stories now, and I know the current creators have it in them. Just not in this issue.
As President Lex Luthor plans his bid for re-election, a new independent candidate emerges in Metropolis. He calls himself, simply, the Candidate, and he's all about flash, slogans and image. And it appears to be working. Daily Planet reporter Lois Lane decides it's her job to dig into the mysterious politician's past, and though Clark Kent would love to partner up with her, he's got his hands busy with international emergencies the world over as Superman. Meanwhile, an alien assassin has taken on a new contract, and his target is to be found on Earth.
Aucoin's clear, smooth style isn't to be found this month. His work here boasts thicker, heavier lines. It reminds me of Doug (JLA) Mahnke's work a little, as well as that of Bart (The Path Sears and Jason (BOdy Bags) Pearson. I'm used to see a softness in the characters that brings a sense of realism to the visuals, but that's not to be found here. I can't really put my finger on it, but I just wasn't as taken with Aucoin's work here as I have been in the past.
Casey's political satire shines through clearly here, and given the times and the political climate these days, it's never been more relevant. Politics seems to have more in common with Hollywood than government and the everyday concerns of the average man, and Casey pulls back the curtain and points at image consultants, focus groups and egotists.
The elements that surround that commentary, though, are confusing and implausible. Lois Lane is suddenly working for The Daily Planet again; her TV career lasted, what, five minutes? Furthermore, Casey portrays Lois in a Silver Age, as a reporter that sees her job as more of an adventurer than a writer and observer. This break-and-enter take on journalism is one that never fails to irk me. Casey's carrying on a comic-book tradition, I know, but it's one that stretches suspension of disbelief beyond its limit.
