A new Fable is introduced in this issue, and as well as a much different but believable threat to a society of fantastic, fictional figures. Willingham's sense of humor and inventive plotting continue to impress in this series, as does the odd balance of the innocent origins and baudy lifestyles of this unusual but compelling characters. Lan Medina's soft artwork suits the calmer tone of this story arc as well, and Craig Hamilton's inks add an extra something to the visuals.
An investigative reporter with an apparent proclivity for patience approaches Bigby Wolf and announces his intention to expose the supernatural secret society in the middle of Manhattan. Yes, he knows unusual, inhuman beings live among humans, but he's guessed wrong about their true nature. Bigby comes up with a plan to prevent the unveiling of Fabletown, and it requires the special skills of some of his fellow Fables. Unfortunately, not all of his partners have faith in Bigby's plan, and they prepare a backup scenario.
Craig Hamilton's inks bring a greater level of detail to Lan Medina's soft linework. One can really see it in the lines on Bigby Wolf's face. Bigby doesn't look like an old man by any stretch -- he's immortal and doesn't age, after all -- but one can see the wisdom and strife that's a part of his life in those facial lines. Vozzo's colors are strong as well. I was particularly struck by the dull purple and brown haze in which he steeps the caper planning scene.
Willingham's plot is a novel one, but it's also a logical one. But what's impressive about the story is how it's both playful and tense all at once. Prince Charming and Briar Rose bring an irreverent, nonchalant tone to the story, and Bigby's amusement over the reporter's miscalculation is fun as well. Oddly enough, the tension doesn't stem from the reporter's impending story, but from Jack and Bluebeard's secret plotting. The reader has confidence in Bigby, but not in the more ruthless and self-centered members of the Fable community.
I honestly have no idea what to expect next from this two-part story, and I can't wait to find out. This is a fascinating story in which the immortal fiction of yesteryear meets today's media. Willingham shows how these people are forced to adapt all the time, but they still make use of their special, classic characteristics at the same time.
