The first issue of this limited series was a solid one, drawing the reader with an overall feel. The plot in that first chapter was vague, like a dream, but some strong characterization, unconventional storytelling and challenging visuals were enough of a draw. The plot grows much clearer here while maintaining those previous strengths as well, making an even better read with this second issue. Hester's story actually reminds me a little of Ghost, that oh-so successful movie from years ago, albeit with a brainier plot and much stronger characters. Deep Sleeper is proving to be an exciting tale, but also one that hooks the reader with its thorougly creepy atmosphere.
Cole comes to realize the power of his dream-life, that it's as real as his time in the waking world. However, there's a lot he has to learn about being a "traveller," and there are a surprising number of "tutors" ready to cozy their way up to him... in order to get him to fulfill their needs. Cole is told he is a unique individual, possessed of great power in the dream world, and that he will soon find himself in the middle of a war. Meanwhile, in the real world, Cole's feeling less than all-powerful, given what happens to his family while he was immersed in his sleep state.
The art here is wonderful. I love how Huddleston differentiates between Cole's waking and dreaming selves. The simpler look instills an innocence in Cole the Dreamer, while a more realistic look reinforces the sadness that looms over Cole as a regular guy. I also enjoyed how greytones are used to separate the Travellers from the Real World. Huddleston's linework here reminds me of the styles of such artists as Mike (Powers) Oeming, Walt (Orion) Simonson, Paul (Leave It to Chance) Smith, Guy (The Marquis) Davis and even the writer's work as a penciller.
Hester spells it out for the readers with this issue, explaining why Cole is special and what the threats are that he must face. The rules the Travellers must observe are also plainly laid out, but not in a way that makes it seem as though the writer is setting out his plot points. In other words, the exposition is woven seamlessly into the script, thanks to the protagonist's ignorance of what's going on around him.
One of the most interesting conflicts in this book is the one brewing within Cole. He is understandably drawn to the wonder and magic of the dreaming world, and it's even more of a lure when he discovers he's something of a celebrity to dreamers such as himself. But that desire to experience and be something special butts heads with the character's responsibilities as a father and a husband. The mundane requires his attention as much as the fantastic, and it's easy to relate to Cole and the choices he makes.
