The smartest thing CrossGen Comics has done in its short four-year history was to finally set aside the Sigil power sign that linked all of its titles and focused on comics such as this one and El Cazador. Abadazad is an absolute delight, a celebration of innocence and imagination that anyone can appreciate. The plot here is a little on the predictable side, but the vivid descriptions in the script and the wondrous quality of the artwork more than makes up for it. Given the lesser demand for CrossGen comics in the industry, it's likely that only a small number of comics enthusiasts have read this book. That's a shame, and I hope an eventual trade paperback collection will expand the book's readership significantly.
After wishing it to be so, a disbelieving Kate finds herself in Abadazad, surrounded by creatures she recognizes from the Abadazad books: Sour Flowers and Shellhoppers. The former creatures not only seem unfriendly, but downright hostile, and the Shellhoppers do the best they can to protect Kate. What she really needs, though, is a guide and a friendly face to help her adjust to her new surroundings, and a young girl -- one who's oddly familiar -- arrives just in time. Meanwhile, the Lanky Man has managed to get his hands on one of the Abadazad books and plans to use the knowledge to advance his sinister plans.
Mike Ploog's designs for the wonderful weirdness of Abadazad are just lovely. One of the great strengths of the property is the limitless potential the magical landscape offers, and the artist makes the most of the opportunity. The Living Staircase is a stunning visual. But it's not just the imagination of the fantastic elements that impresses. I love how Ploog imbues all of these weird creatures with plenty of personality. The bright colors reinforce the sense of the magical and comfortably surreal as well. My only qualm with the art is that the teenage Kate comes off as being a little too young.
The script really makes Kate's emotions come to life. Her frustration, confusion and reluctant acceptance and appreciation of her circumstances are really convincing thanks to the narration. DeMatteis offers a nice balance between her anger, her disbelief and the wonder and happiness she feels as a result of being immersed in the impossible. One of my favorite moments in the book is when Kate settles into bed; the writer conveys her comfort and contentment perfectly.
The pace of the book is a brisk one. DeMatteis introduces a delightful array of characters, and Kate's adventure is galloping along. At the same time, though, the story never feels rushed. The comic is a rich read and an exciting one that taps into the reader's sense of wonder and memories of innocence. Abadazad is truly an all-ages book. Kids will love it, and adults will feel like kids when reading it.
